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Unique Music
171 Main Street,
Willoughby on the Wolds,
Loughborough,
Leics. LE12 6SY
UK.
Unique Music
www.uniqmusic.co.uk
This work was made with the musical computer language Music-
and largely comprises sine-
and incorporates proportional data derived from the works of John
Dunstable. The latter was indeed an artist familiar with the
quadrivium, and “aware of the stars”.
Composed 1983 Duration 10’
Provided on CD for sound diffusion in the concert hall.
To Purchase: See CD Recordings
This piece was made with the algorithmic composition program
Tabula Vigilans, and was created for the Sound Encounters
festival in Cleveland, Ohio, in 1993. The revised version dates
from 1994. The title is adapted from Leigh Landy’s composition
‘Ceci n’est pas une flute’ which in turn derives from Magritte.
The piece is dedicated to Leigh Landy.
Composed 1993/4 Duration 10’
To Purchase: See CD Recordings
An assemblage of recorded sounds from the kitchen. These include
sounds made with oven-
The title, incidentally, is not an expression of expedience, but a
dedication. Duration 10’
Provided on CD for sound diffusion in the concert hall.
To Purchase: See CD Recordings
this montage of recorded clock sounds. A photographic slide
Composed 1970
Clock farm is situated on a country road near York. It provoked
sequence of clock images (why is clock advertisement time always
ten-
accompaniment. Duration 10’
Provided on CD for sound diffusion in the concert hall.
The slide-
To Purchase: See CD Recordings
with a contact microphone, and classical tape techniques, this is the
Originally composed on tape, employing ‘kissing’ sounds recorded
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first piece to emerge from the newly-
Studio at the University of York. Duration 4’
Composed 1968
Provided on CD for sound diffusion in the concert hall.
the work may be performed ‘live’ with a Tabula Vigilans system, it
Composed 1993
To Purchase: See CD Recordings
This work was created from a script written in the composer’s
algorithmic language Tabula Vigilans, which controls some
features of the piece, others being provided by interaction with the
computer ’mouse’ (eg the selection of sounds and pitches). While
was originally created for reproduction at the first Computer Music
Symposium in Sydney, Australia, in 1993. Duration 10’
Provided on CD for sound diffusion in the concert hall.
